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(Johnson’s Hobbs in in the movie, but his role is limited compared to past films.) He sends the team on an around-the-world adventure in an effort to secure a device that can access every camera in the world, including cell phones, that has the ability to find anyone in a matter of moments. Nobody fills in for Dwayne Johnson’s Luke Hobbs as the government official calling the shots. So, yes, everyone involved seems to be mad. After Deckard kills Han-Seoul-Oh (in an event that takes place right after The Fast and the Furious: Tokyo Drift which, chronologically, takes place between Fast and Furious 6 and Furious 7), then blows up Dom Toretto’s (Vin Diesel) house, our Furious team then vows revenge on Deckard Shaw. Well, Owen’s older brother, Deckard, who looks nothing like Owen and, instead, a lot like Jason Statham, has vowed revenge on our heroes. Remember Owen Shaw? He was the indestructible villain from Fast and Furious 6 played by Luke Evans.
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Anyway, with that formality out of the way, the actual plot of the movie kicks in.
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(I should add, I only started to actually enjoy the Fast and Furious series with Fast Five.)Īnd Furious 7 does open with an incredibly short car race, as if there’s some sort of court injunction stating that one of these movies cannot exist without a legitimate car race. (So much so that there’s a scene that takes place high up at the Etihad Towers in Abu Dhabi a little reminiscent of the scene atop the Burj Khalifa in Dubai in Mission: Impossible – Ghost Protocol.) The actual car races now feel obligatory. What started as a series about car racing has now - starting with 2011’s Fast Five - become a grand action extravaganza that more resembles the Mission: Impossible franchise than it does anything about car racing.
If someone had only seen 2001’s The Fast and the Furious, then watched Furious 7, the film’s tone would be unrecognizable. Be prepared: It’s quite an emotional 180. Furious 7 is a two-hour adrenaline rush, followed by one of the most touching, saddest scenes I’ve experienced in a movie theater.
I think it hit everyone: We weren’t just saying goodbye to O’Conner, this really was the last time we’d see Walker.Īnd all of this comes after over two hours of pretty much nonstop action, blazing through set pieces and scenarios that are even more outlandish than the prior two movies. As I told him, he started tearing up just imagining the scene.) It’s an odd thing to leave a Fast and Furious movie surrounded by mournful silence, but that’s what happened. (Last night, a friend of mine asked me to tell him what happens.
As I looked around the theater, there were tears everywhere. I won’t reveal what happens to Brian O’Conner, Walker’s character, but I don’t think it’s too big of a spoiler to mention that the last few minutes of the movie were filmed after Walker’s death, and that every line during this stretch had double meaning for both Brian O’Conner and for Paul Walker. It’s obvious the cast and filmmakers felt this way, too. Most of the time, it feels like one long goodbye. And as much as I enjoyed Furious 7 - and I enjoyed Furious 7 immensely - I found myself feeling incredibly sad. (Walker’s brother and some digital trickery helped finish the movie.) But it’s impossible to watch Furious 7 and not think about Walker the entire time.
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It doesn’t feel like it’s been almost a year and a half since the death of Paul Walker. Maybe it’s because we knew we’d seem him one last time in Furious 7, a movie that was delayed eight months after the accident that took Walker’s life while it was decided how to finish some of Walker’s unfinished scenes.
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